L1 to 元 of T4 at slope had been dated to 1 938BP, 2 848 BP and 6 800 BP respectively, L4 and L5 dated to 39 000 BP and 35 000 BP respectively by the OSL dating such datings and stratum are correlating to Fanling Formation of Holocene and Chek Lap Kok Formation of Late Pleistocene stratigraphy respectively. Such finding provides a clue and indicates Wong Tei Tung was an ancient lithic manufacturing workshop. Debitages, waste flakes, blades, cores, nodules and chucks were also discovered both on surface and test pits which help to re-construct the entire lithic manufacture progress. According to blades or flake-blades identified in the Wong Tei Tung assemblage, we suggest that the techniques of Late Paleolithic Age to Early Neolithic Age have been adopted for the assemblage. In terms of morphology, a few lithics have Sumatralith cores traits. The techniques adopted were bifacally sophisticated retouch at edges of flakes (Mousterian- like), few cores being identified as prepared platform cores indicating Levalloisian technology. Almost all lithics were made on thick transverse flakes ( used as blanks) and are identified as flake tools. A total of 156 pieces of lithic are classified into nine categories artifacts after preliminary examination, these are adze- like lithic ( or short axe, 57.69%), scraper ( 16.02% ), point ( 8.97%), hand-axe ( biface 5.76% ), chopper ( 5.12%), arrow-like lithic ( 1.92% ), aw-l like lithic ( 1.92% ), pick ( 1.28%) and burin ( 1.28% ). Over 3 600 lithics were found both in pebble beach and test pits. L6 is a weathered bedrock without lithics. Five strata ( L1-L5) are identified containing substantial quantity of chucks, core, flakes, debitages, and lithic tools both in T3 and T4 at slope. No pottery had been found in test pits ( T3 to T5) of slope. T5 is located at a slope terrace not far from a stream, because the ancient people could have chosen that terrace. The lithics are unearthed in four test pits (T1 to T4) except T5. A total of five test pits had been dug both on pebble beach (T1 and T2) and hill slope (T3 to T5). Three squares ( two 5 m×10 m and one 10 m×10 m) were enclosed both at pebble beach and slope for surface artifacts density counting. It is a hint that ancient people had occupied the terrace before the sea reached present level since 6 000 BP. According to marine chart, an underwater terrace was found in front of the site at present depth of less than 5 m. The site is situated at an underwater river terrace of at least 40 meters to 100 meters wide that face a river branch running into Tolo Hatbour and Mirs Bay of northeastern Hong Kong SAR. Three Fathoms Cover became a river valley and it is presumed that ancient people inhabited in the site during this time. The last glaciation at Late Pleistocene commenced about 25 000 BP, reaching a maximum at about 18 000 BP to 17 000 BP, with the sea level at its lowest at this time, falling to around - 120 m or - 130 m. Around 75 000 BP, a glacial maximum had reached and sea level had fallen to about 77 m lower than at present. Such silicon tuff provides sufficient and high- quality raw materials for lithic manufacturing. The bedrock is overlaid by the silicon tuff in dark grey to black colour an outcrop stands at western slope at height of 40 m to 50 m, facing the sea. The bedrock of the site is mudstone and siltstone observed at soil profile of test pits and auger holes. Many lithics found at underwater also indicate the site was much larger than before, sea reached the present level since 6 000 BP. Large quantities of lithic artifacts are exposed both at the surface on the pebble beach and the western slope, the extent of lithic exposing area on the pebble beach is about 300 m long and at height of 15 m up the slope. Hong Kong Archaeology Society and the Centre for Lingnan Archaeology of Zhongshan University in Guangzhou conducted a trial excavation at the site during late 2004 to early 2005, funded by the Hong Kong SAR Government. The site faces to a bay, namely Three Fathoms Cover to the west. To the east to the site, there is a hill named Wong Tei Tung ( 154 m height). The site is situated at the northern shore of the Sai King Peninsula, on the eastern part of the Hong Kong SAR, China. The Wong Tei Tung (Huangditong) archaeological site of Sham Chung (Shengchong) was discovered by Mr.
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How much do our pain thresholds differ?). The pain-modulating SCN9A gene, which has dozens of alleles conferring varying pain (in)tolerance, is much better studied ( cf. I often use (again with prior consent) the example of my transhumanist colleague Anders Sandberg (“ I do have a ridiculously high hedonic set-point”) – although Anders’ pain-sensitivity lies within the normal range. Single FAAH mutations are associated with high pain-tolerance, reduced anxiety and a sunny outlook without Jo’s “extreme” syndrome of well-being. Previous mutations of FAAH are known, but the FAAH-OUT gene was previously reckoned a pseudogene. The FAAH gene (short for Fatty Acid Amide Hydrolase) is a protein-coding gene responsible for degrading bioactive fatty amides, most notably the endogenous cannabinoid anandamide. Jo Cameron is first known case of someone with mutations in both the FAAHgene and its newly-discovered sister gene, FAAH-OUT, which modulates the FAAH gene. With CRISPR genome-editing, lifelong bliss could be normal. “ I had no idea until a few years ago there was anything that unusual about how little pain I feel – I just thought it was normal.” She came to the attention of medical researchers only when her disdain of painkillers for what “ought” to have been an excruciating medical procedure – a trapeziectomy on her right thumb – intrigued her doctor. Unlike previously reported cases of congenital analgesia, Jo didn’t die young or find the need to adopt a “cotton-wool” existence to avoid bodily trauma. Jo doesn’t feel pain, or at least not in any sense most of us would recognise: childbirth felt like “a tickle”. She has unusually high levels of anandamide (from the Sanskrit for “bliss”) and is never anxious, though her serenity may vary. Jo has gone though life in a perpetual state of “mild euphoria”. Jo Cameron is a retired Scottish schoolteacher, a socially responsible vegan and pillar of the local community. Before launching into a long list of caveats and complications – and outright scepticism – it’s worth considering a case study. More cautiously, the problem of suffering should be genetically soluble this century. “ The easiest pain to bear is someone else’s.”Ĭould two small genetic tweaks get rid of most of the world’s mental and physical pain?Ī tentative answer is: just conceivably. By David Pearce, in response to Quora question: How do you break the hedonic treadmill? There are quite a few reasons why, from drag-and-drop functionality, the capabilities to create the simplest to most sophisticated of apps and web prototypes, and plenty of support, like videos and blogs to help you learn how to use it. Justinmind has been gathering momentum as a popular website and app prototyping tool. This power, along with its compatibility in working with Sketch and Figma, makes Origami Studio an important tool for designers who want to go above and beyond standard low-fidelity prototyping. 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Too bad the cool Option modes from Gradius III were removed. In addition to the standard frontal Shield and Force Field, there’s the Guard Shield, which protects the top and bottom part of your ship but leaves the front and back exposed, and the Limit Shield, which grants a few seconds of total invincibility. There are also two levels to each weapon, including bombs, allowing them to be strengthened for extra firepower. That means you can stick the Shield at the front, and the less immediately useful weapons at the end, so it’s easier to arm yourself with only a few orbs. You can also configure the order of the power-ups on the weapons bar. The weapons are not interchangeable between ships, but you can switch between ships when you continue. It has the Rolling Missile – a bomb that fires straight down and then explodes horizontally – and Auto Aiming, a multidirectional shot that will automatically target foes, and a Gravity Bullet, which is a very powerful shot that explodes like a Spread Bomb. The other new ship, the Falchion Beta, is based off the spacecraft from the Famicom Disk System game Falsion. The Lord British – making a triumphant return from Salamander – has a Two-Way Missile, a Ripple Laser, and a new laser beam called the Disruptor, which emanates a thick, solid pulse across the whole screen.Ī new ship called the Jade Knight has the Spread Bomb, the Round Laser – which fires a circular laser that surrounds your ship – and the Pulse Laser, which is basically the same as the Twin Laser. The good old Vic Viper features the standard Gradius payload with the usual Missile, Double, and Laser weapons. This time, you can select from four ships. Unfortunately, the weapon selection isn’t quite as vast as in Gradius III, although it’s still fairly expansive. This also affects the intro, which is done in English with a Star Wars-style text scroll. There’s even the option to switch between male and female voiceovers. It’s definitely classic Konami, top caliber stuff that feels considerably more evolved than previous entries. The Moai stage has an exotic instrument that sounds a bit like a bagpipe, while the final fight has an epic, faux-orchestral quality to it. The boss theme has an unnaturally catchy rhythm, and is far more memorable than the repetitive tunes in most of the other games. The music, again like Symphony of the Night, consists of a wide selection of genres, ranging from peppy new age to upbeat rock to cool atmospheric tunes. The game climaxes with the usual boss rush – one of the toughest parts of the game, of course – as well as a speed up zone, a bipedal robot with rocket powered skates, and a final boss that puts on an impressive light show while cycling through images of bosses from Gradius’ past. It’s a replica of the first level from the original Gradius, except it’s being torn apart by a black hole, requiring that you dodge bits of scenery that are being tossed at you. The biological and plant stages are cool, but the real standout is the “Event Horizon” stage. (The Moais even taunt you with voice clips, yelling “You think you can beat me with that? Loser!” when you first fight them.) The level boss is a square room with four huge Moai heads on the wall that spin around, which brings to mind that famous level in Super Castlevania IV, where the entire screen rotates. The statues in the Moai stage fire huge lasers, which continue to radiate even after being destroyed. The third stage is another crystal level, but here, the crystals bend and refract your laser shots, which looks really, really cool. The second stage is a ship graveyard filled with wrecked remains of old Gradius bosses, some of which still fire off some shots despite being buried deep in rubble. Gradius Gaiden really excels because it has lots of familiar moments with cool twists. The whole thing is interrupted by a gigantic white caterpillar which bursts out of the ground and begins to attack. It’s a beautiful trip through a snow field as colorful auroras shine peacefully in the background. The tone is set by the first stage, a snow filled area called “Beyond the White Storm”. It features gorgeous, splendidly detailed 2D graphics that totally blow away most other shooters, with improved color depth, transparency effects, and rotating and scaling sprites, with barely a polygon in sight. Graphically, it does to Gradius what Symphony of the Night did for Castlevania. 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MORE : Battlefield 6 on PS5 and Xbox Series X/S has more players and better destructionįollow Metro Gaming on Twitter and email us at more stories like this, check our Gaming page. The engine was developed with an HDR Audio and. Although Battlefield 6 's expected reveal remains official kept under wraps by EA, the audio for the reveal trailer has allegedly leaked in full. The first iteration of the Frostbite game engine made its debut in the 2008 video game, Battlefield: Bad Company. MORE : Battlefield 6 trailer gifs and screenshots leak – includes a robot dog BATTLEFIELD 6 REVEAL TRAILER Audio LEAK (BF6 Potential TEASER Sound) DROP A LIKE For MORE BATTLEFIELD 6 - Comment If you want me to respond IMPORTANT: Th. But Konrad Muzyka, an independent defence analyst and director of Rochan Consulting, which tracks the war, said on Friday he was now almost certain the counter-offensive was under way, citing the. Battlefield 6's reveal trailer is expected to be revealed soon, but the audio has leaked ahead of time, teasing things like a rocket launch. As you can see in the post on Reddit, there is a video showing the sound of a later trailer for this game. Updated 7:35 AM CDT 1 minute & 58 seconds read time There have been two new Battlefield images leaked onto the internet in the past hour, with Battlefield leaker Tom Henderson. The latest evidence at hand is an oddity. A huge chunk of audio from the Battlefield 6 reveal trailer has leaked online. The leak this time is an audio trailer for Battlefield 6 uploaded by users via Reddit. Nothing official has been confirmed, but a variety of leaks and reporting make clear that Battlefield 6 s reveal is near. MORE : More leaked Battlefield 6 images show 80% of the trailer On May 7, 2021, there is a new leak for a game from Electronic Arts, namely B attlefield 6. The teasers are allegedly hidden in two places (or at least these are the ones spotted so far by Battlefield YouTuber DANNYonPC): the tech demo for the next Battlefield that EA shared last. Given how overfamiliar the original reveal trailer has become that seems like a good call, especially as it doesn’t really show much except for the near future setting and something about a rocket launch.Įmail leave a comment below, and follow us on Twitter. That’s almost certainly where the leak came from, but the images have now been seen so many times that, according to Henderson, EA has given up and decided to make a different reveal trailer instead. Given all those leaks there’s not a lot more to be gleaned from this full version, which according to insider Tom Henderson has been officially shown to many prominent members of the Battlefield community. You know, the Battlefield 6 trailer ended up online, even though the audio was only in version, that is Video It is ready and the marketing machine starts. While it should be taken with a grain of salt like every other rumor and leak, Battlefield 6 is shaping up to be an interesting game.īattlefield 6 is in development for unspecified platforms.Metal Gear Solid Delta explains the name and we’re only more confused With getting more eyes on the Battlefield brand likely taking priority over sales, this would certainly make sense. After Battlefield 5’s shortcomings, giving so many gamers access to the new title could guarantee its success. Audio just leaked from the battlefield 6 reveal trailer : Battlefield6 818 Posted by 9 months ago 3 3 4 Audio just leaked from the battlefield 6 reveal trailer Rumour spoiler 213 comments 98 Upvoted Log in or sign up to leave a comment Log In Sign Up Sort by: best level 1 9 mo. The audio featured sounds you might expect from a Michael Bay movie, which is to say lots and lots. While this too is unconfirmed, it is a solid strategy. Audio from what is claimed to be the Battlefield 6 reveal trailer emerged earlier in May. Fans could see this next-gen only release taking a games-as-a-service approach, with large content updates coming to the game at a regular pace over the next several years.Īlongside this rumor, Battlefield 6 may launch with Game Pass, instantly giving the game access to a large player base on Xbox platforms. With no sequel needed for some time, Battlefield 6 could play the long game. Not only would this make sense of the increased player count and complex destruction, but the game could be supported for a fair bit longer. By leaving the PS4 and Xbox One behind, gamers can expect to see the series reaching new heights in its visual fidelity. Finally, Battlefield 6 will supposedly be an entirely next-gen experience. 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